Catch
A Fire (12A)
Directed by Phillip Noyce
Written by Shawn Slovo
Screening at (24th March - 5th
April 2007)
Reviewed by
This tale of Apartheid era South Africa pairs Rabbit-Proof Fence director
Phillip Noyce with writer Shawn Slovo, whose father was one of Nelson
Mandela's right hand men in the struggle against the white Afrikaner regime.
Based on real events, the film focuses on the life of Patrick Chamusso
(Derek Luke). At the beginning, he is a foreman at the Secunda oil refinery,
who tries to ignore politics so he can afford nice things for his wife
Precious (Bonnie Mbuli) and their two young children. When the military
wing of the African National Congress attack his strategically important
workplace, first Patrick then his wife are pulled in and interrogated.
Patrick comes to believe that there will be no future for his kids unless
Apartheid is brought down, and gets involved in another attempt to blow
the refinery sky high.
Catch A Fire is a tension-racked and intensely moving account of Apartheid's
last days, which confirms Noyce's role as one of Hollywood's most socially-conscious
directors (though there isn't much competition for that honour). The way
he treats historical details with thought, care and respect is reminiscent
of Ken Loach's best work, and the scenes between Patrick Chamusso and
his police interrogator (Tim Robbins) are distinguished by fine acting
on both sides.
However, Noyce seems to have taken Shawn Slovo's version of events at
face value, despite the fact her father is in the screenplay! As the white
leader of the South African Communist Party, Joe Slovo formed an alliance
with the black nationalist ANC, becoming a commander of the mainly black
armed forces.
When Mandela was released from prison and became the first black President
of South Africa, he made Slovo housing minister. But that government introduced
policies which benefited a narrow layer of black businessmen and women,
whilst condemning working class blacks (and whites) to ever greater poverty.
Yes, they have a vote every few years nowadays, but they are learning
to relish that just as little as we do in the northern hemisphere.
In his autobiography, Mandela bragged: 'There will always be those who
say that the Communists were using us. But who is to say that we were
not using them?'
Great though Catch A Fire is artistically, the last fifteen minutes only
serve the fiction that purely national or ethnic 'liberation' movements
are the answer for poor people in colonised nations, and that we can all
rest easy because everything is coming up roses in South Africa.
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