DING>>D0NG
Andy McCluskey, Peter Saville and Hambi Haralambous
(2nd January - 22nd February
2009)
Reviewed by
From Palladio to the Bauhaus, art and architecture have often married
the same vision for purpose and function, namely beauty.
The aesthetics of postmodern industrial architecture has too often been
overlooked. The Energy Suite explores the mammoth proportions of the northwest’s
industrial landscape, removing power stations, gas terminals and wind
turbines from their ‘natural’ locations and presenting them
in a formal gallery space. It is here they become artistic structures
in their own right.
Using the natural rhythms of industrial machinery, layered with McCluskey
and Kershaw's sound composition. Haralambous - a video artist - manages
to create a sculptural dynamo, enabling the viewer to experience industry
as art.
Slagheaps of Dinorwig become as visually stunning as mediaeval ruins,
whilst with the interior footage of machinery, one cannot help but to
find the obvious influence and relationship with more modern and iconic
architectural feats, such as Centre de George Pompidou to name but one.
The architectural language is simple and stunning and testament to the
ever-changing and evolving state of Britain’s landscape, and although
this installation is not as large as Le Corbusier, it is as relevant and
architecturally as it is culturally and artistically.
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