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Jungle
Jam/The Black Moss
Chelpa Ferro and Juneau/projects
, Wood Street
8th December 2006 – 21st January 2007 (Tues-Sun 11am-6pm)
Reviewed by
If you are reading this between 8th December 2006 and 21st January 2007,
on any day Tuesday to Sunday after 11am and before 6pm, there is huge
environmental damage being done at Gallery 1 of the FACT centre.
There, a computer is instructing motors to spin round in various patterns,
whacking plastic bags against the walls. This is ‘Jungle Jam’
– the work of Brazilian artists Chelpa Ferro (‘old money’)
– so this must be art.
The bags – which are just like those you could buy in Home and
Bargain – came all the way from South America, by plane presumably.
The computer and motors create carbon emissions far in excess of any artistic
merits. "Different bags make different sounds”, explained one
of the trio. Quite.
In Gallery 2, Juneau/projects’ ‘The Black Moss’ is
far more interesting, and much less harmful to the planet. ‘I’m
Going To Antler You’. Unless those animal skin rugs are real, in
which case it’s a close run thing. At least the music – which
comes from the hand-painted drum kit – is only triggered by someone
being near enough to hear it. The songs come from young bands Ebony Angels
and The Ambers, who were formed in two Birmingham youth groups. They designed
their own logos and costumes, and the room has a nice kind of playfulness
about it.
Then there’s this kind of retro eighties computer game called ‘Beneath
the floorboards of the forest, empty space’, where a Stephen Hawking-alike
voice reads poetic descriptions of nature and the gallerygoer’s
mission – should they choose to accept it – is to escape from
a forest by selecting north, south, east, west and other options like
washing your face. In my twenty-five minutes I angered a blackbird and
was stung by the ‘enormous barb’ of the same hornet on three
separate occasions. Then I have to admit I gave up. An attendant told
me it can be done, in about two days.
But the best part of this exhibition –perhaps the best part of
any exhibition I’ve seen this year – is the misleadingly titled
‘Instincts are misleading (you shouldn't think what you're feeling)’.
The Media Lounge has been made over into a kind of grotto, where mellow
music plays, and visitors can make their own creatures out of pipe cleaners,
glue and various bits and pieces. These creations are then photographed
and placed on a ‘shrine’ to nature, and each creator takes
home a complimentary cd. If the capital of culture year was that and nothing
else, I’d be made up.
Comment left by Jane on 12th January, 2007 at 17:08 As this installation is described as ‘a musical experiment’ I can’t help wondering if it wouldn’t be more successful if the exhibition space was unlit so that the visitor, on entering the gallery, would be immediately confronted with an aural experience.
Let’s face it the visuals, though tinged with humour, aren’t anything special, rather more a distraction and likely to deter visitors.
However, to enter the gallery with the lights turned off and to allow the visitor to absorb the sounds created by the whirring plastic bags would be magical.
Are they birds trapped in a chimney or autumn leaves swirling in a gust of wind or a plastic bag caught in telegraph wires?
Without the distraction of the visuals the visitor could hear the sounds of their own creative imagination and I’m sure they’d return to enjoy the experience again and bring others with them.
It’s an interesting exhibition but could be a great exhibition if the lights were turned off and only the ears perceied!
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