The
Night Of The Sunflowers (15)
Written and Directed by Jorge Sánchez-Cabezudo
Screening at FACT from 15th June 2007
Reviewed by
This is a top-notch feature debut by Spanish director Jorge Sánchez-Cabezudo.
It is set out in six episodes, with the emphasis in each focusing on one
of the main characters.
The film opens with the unseen rape and murder of a woman in a sunflower
field. Although the culprit is never found, this horrendous incident triggers
off what happens in the rest of the movie, with a possible suspect for
the crime - vacuum salesman (Manuel Morón) - later attacking a
woman in the woods, which results in further tragic events taking place.
Although the sunflower actively responds to the rays of the sun, most
of the film takes place when the sun has gone down. Was Jorge symbolising
dark deeds, dark thoughts, dark motives that engulfed the perpetrators
of violence, deceit and treachery that are dominant throughout?
The director's choice of location is intriguing - a desolate rural spot
where villages lie empty except for one or two people clinging on to their
memories of their families living there in more prosperous times.
The urge to move, from this almost forgotten world, particularly by young
people, is exemplified by Tomás (Vicente Romero), a civil guard
who is desperate to escape the stultifying relationship he has with his
fiancée Raquel (Nuria Mencía), who wants to settle down
in the village where they live.
Tomas has the chance to collect a lucrative pay off by Esteban (Carmelo
Gómez), who has agreed to hand over the cash to him, in order to
keep secret his killing of one of the old-timers in the village, Cecilio
(Cesáreo Estébanez), who he mistakenly believed sexually
assaulted his partner Gabi (Judith Diakhate).
But his means to escape from the isolation of the country backfires when
his scheming ways are uncovered by Raquel’s wily father, who is
also in the Civil Guard.
Jorge has a highly promising future ahead of him if he can produce more
films of the calibre of The Night Of The Sunflowers.
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