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Trivial
Pursuits
, Newington
25th July - 17th August 2008
Reviewed by
George Cottier’s acrylic explorations are heavily atmospheric and
rich in metaphor. His violent and provoking studies are delivered directly,
uniting local sites and contemporary figures with gore and horror. The
large canvas Concert Square dominates its space with stark colour contrasts.
The opposite wall tells a different story. Lauren Reis’ Protection
is a work of calming influence. The dramatic colour scheme employed by
both Cottier and Kaya Sinclair contrast dramatically with Reis’
use of pastels. Where Cottier’s work challenges and startles, Reis’
images create a reflective space where the viewer is instantly transported
on a wave or a breeze.
Both Claire Weetman’s figure studies and Amanda Roberts’
mixed media prints employ dynamic and experimental execution. Overlaying
lines and images, Weetman takes a particular space and captures the movement
of people through it. Felicity Rothwell’s Face Series similarly
focuses on a feeling of movement over three canvases. She manages to capture
the human energy and sense of life without focusing on it directly.
Karen Gilbert uses her medium to deceive and confuse the viewer. Disguising
acrylic experiments as mixed media, these pieces jolt the onlooker into
recognition once initial assumptions are proved false. In the same fashion,
the entire exhibition challenges preconceptions. From large studies, to
Esther Ruth Payne’s intricate doodles in biro and pencil, each work
speaks for itself and demands enjoyment on its own terms. What follows
is a rich tapestry of interwoven meaning, portraying the intimate subtleties
of the human condition. With so much variety, you’re sure to find
something which strikes a chord.
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