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Disabled ArtsBy Max Zadow Socially and economically, one of the most deprived groups in British society are what is collectively termed the ‘disabled’. In terms of standards of living, unemployment rates, annual incomes and all the other measurements of full participation in the goods of our culture, Disabled people on average come off badly on all these criteria. In terms of their participation in the arts and media, these grim realities listed above are merely exacerbated. Disabled T.V presenter/comic/filmmaker Matt Fraser once said that in terms of disabled representation in the mass media, nothing much had changed since he was a kid in the sense that the only disabled character to feature regularly on our screens was that of Ironside. Being a disabled media worker myself, I saw first hand how badly off disabled
people were in terms of opportunities for training, work experience and
job prospects within the mass media and arts. This is by the way, as true
as for the B.B.C where I worked in London for two years, as it was for
many ‘community initiatives’ in colleges and arts institutions.
Disabled people represent a very real, but very undervalued community,
and it was with this in mind that myself and other disabled individuals
set up Digital Production for Disabled People or DP2. Completely disabled
led, which is of much importance in terms of having the necessary appreciation
of the diverse needs of disabled people, DP2 have so far been involved
in the past two DaDafests in Merseyside (a festival organised by the excellent
and disabled led North West Disability Arts Forum to celebrate disabled
people in the arts) and contributed a short film towards the Biennial. DP2 are organising film workshops for June and a day in Liverpool devoted to the problems and barriers that disabled artists/media workers face getting noticed. It’s provisional title is Disabled People Can Be Luvvies Too. If you want to get involved, email us on digidis@graffti.net |
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