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42 Women of Sierra Leone
Photographs by Lee Karen Stow
4th March 2011 – 15th April 2012
Free Admission
Reviewed by
Hidden in a quiet corner, on the museum’s third floor, lies another
testament to the cultural value of Liverpool’s first ever international
photographic exhibition, Look 11. Lee Karen Stow’s 42 Women of Sierra
Leone pays testament to the vast multiplicity of methods that women have
used since the dawn of time to ensure the survival of humanity. When gangs
of men were off ‘hunting’ in the forest for days on end, and
often returning with little more than a sparrow, it was the ‘gathering’
of the women that supplied the vast majority of our calorific needs. Nevertheless,
Stow also shows us - in no uncertain terms - how despite this being the
case, women have continuously been subjected to detestable levels of discrimination
and inequality, and perhaps few places better exemplify this today than
Sierra Leone.
Sierra Leone is considered by Save the Children as one of the world’s
worst places to be a child. Unfortunately this is not only due the widespread
butchering, massacre, rape and forced recruitment of child soldiers during
the country’s brutal civil war from 1991 to 2002. Other, more insidious,
and less reported, factors continue to bring inestimable misery to the
lives of the nation’s citizenry. For example, one eye-watering photo
is of a young mother attempting to nurse her baby that is dying from typhoid,
malaria, malnutrition and dehydration. This same woman had only recently
lost another child in the floodwaters that had engulfed the downtown area
where she attempts to live.
Another reason for Save the Children’s opinion is that so many
children become orphans on account of one in eight women dying during
childbirth (compared with 1 per 12,200 in the UK). This implies that if
you have three siblings there is only a fifty per cent chance that your
mother will be alive. Only in April of 2010 did the governments of Sierra
Leone, the UK and the UN cooperate to establish a free health care for
pregnant and breast feeding women. It is too early to tell how this has
transpired in practice.
As the country’s youth grow older most will join the 70 per cent
of the population somehow surviving on less than £1 per day. Nevertheless,
the discrimination also becomes more gender-specific. Girls generally
leave school earlier than boys because of extra fees, forced early marriages
and pregnancy. Despite the Registration of Customary Marriages and Divorce
Act of 2007 prohibiting both forced marriages and marriage below the age
of eighteen, it is still not uncommon to find girls as young as twelve
pregnant in such circumstances. Similarly, the 2007 Domestic Violence
Act is also considered to have been ineffective in attaining its purpose.
Lastly, many young girls suffer debilitating infections, and even death,
by being forced to have their clitoris scraped off with a blade.
However, the overall point of Stow’s exhibition is to graphically
portray how woman miraculously manage to get by in such dire circumstances,
and even take care of infant, elderly and crippled dependents, and usually
without running water, electricity or formal employment. In doing so,
42 Women of Sierra Leone demonstrates very well ‘the beauty, spirit,
hope and the value to a society of women not just in Sierra Leone, but
women everywhere, who wake each morning with the belief that one day,
life really will get better’. Nevertheless, the fact remains that
the exhibition is so titled because 42 remains the average life expectancy
of Sierra Leonean women.
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