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Borges and
I
4th March 2013
Reviewed by
, associated with the
bigger fish of Oxford Playhouse and New Diorama Theatre, have grown in
stature since the fledgling days of the Edinburgh Fringe, if this play
is anything to go by. Their modus operandi is physical theatre and this
innovative sixty minute play bears testimony to the six strong cast's
fine-tuned group skills. They take us on a whirlwind tour of the life
and passions of Jorge Louis Borges, intermingled with real-time modern
day relationships.
Borges, an arch Argentinian literary giant for most of the 20th Century,
provides the backdrop through the use of texts from his collected short
story volumes, Labyrinths, Dream Tigers and Selected Poems.The cast interweave
the activities and thoughts of a reading group, (one of which is out of
synch with the rest but is always seeking and another who will eventually
go blind, as did Borges himself), with the magical inspiration of the
author's imagination.
The play is much more than that though. The tight Unity Two performance
space was packed with anticipation, the mainly youngish audience practically
tumbling onto the stage themselves as the drama opens as if from a dream,
apologetically; the parameters of the universe of books, here in stacks
all over the stage, novel projection techniques and constant churn of
stage props, unfolding organically before them.
There is huge tragedy in the loss of seeing the world we live in, but
Borges, through his writings, keeps alive the inner world with a vibrancy
that resonates through the darkness. On stage a couple's love for each
other is tested by short-sighted actions that only one partner, literally,
can see. The other survives in a remembered world of early childhood recollections
burnt into the psyche in glorious colour images that will never fade,
as all our senses ultimately will.
It is in this inner world that Borges weaves his magic. He ended up as
Head of the National Library of his nation, as a blind man surrounded
by books mirroring his life-long quest for knowledge, philosophical discourse
and his beloved 'fictiones' - the 'I' that can see this is indeed enlightened.
For Idle Theatre to attempt to bring it to life was a spectacle to behold.
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