Catfish
Therapy
By Ian Moore
Friday 30th March 2012
Reviewed by
On the opening night of the event Liverpool based playwright and event
director Ian Moore was airing his new complex psychiatric tale about multiple
identity. On entering the Actors Studio Theatre we were faced with a figure
in a nightgown and sack covered head. With hands and feet bound to the
chair Suzanne Collins shouted out, the house lights dimmed and we were
off. Lynne Fitzgerald joined her for powerful verbal and physical exchanges
that switched between the calmness of an episode of the Chaser to the
heaviest scene from the Exorcist!
Half way in the roles reversed with Suzanne Collins portraying a smartly
dressed administrator and Lynne Fitzgerald the night gowned oppressed.
Gone was the pile of “subversive” children’s books and
the boot had switched to the other foot. The lighting and sound design
was extremely well executed and produced an element of intrigue most associated
with 1960’s television. The characters however were starting to
fall victim to the ferocity of the intense delivery and action. Nearing
what was timed to be the end, the overall flow was beginning to flag and
a very strong message of Schizophrenia almost appeared to have nowhere
to go. It was quality acting, engaging and extremely plausible but now
it had been firing-on-all six for a just a little too long.
Eventually along came the doctor (Richie Grice) who in a very brief concluding
entrance finally gave away the keys to the kingdom. Despite reference
to the condition D.I.D an element of self-interpretation had hung high
in the balance for much of the time. Not only had the play noticeably
overrun but I feel too much had been attempted in too short a time. I
later learned that Collins, best remembered as former Brookside cast member
Nikki Shadwick, had stumbled on the role by chance when she happened to
be local to the casting. For me and what she ultimately brought to the
stage, I was very glad she did. Catfish Therapy is one for those who like
their drama with a generous crust and don’t mind having to work
a little to get at the filling.
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