A Day
In The Death of Joe Egg
Written by Peter Nichols
Directed by Stephen Unwin
(until
27th April 2013)
Reviewed by
Photo by Simon Annand
The difficulties faced by the parents of a child with profound disability
may not be everyone’s first choice as a subject for a comedy. However
Steve Unwin’s production of Peter Nichols’s 1967 play A Day
in the Death of Joe Egg surprisingly makes it work.
The everyday trials and tribulations of Bri and Sheila, parents to ten-year-old
Joanna, are charmingly portrayed by a small but well-chosen cast who effuse
with an infectious energy. The dialogue is quick-paced and darkly comic
from the very start; often breaking the fourth wall to engage directly
with the audience which is particularly effective in expressing the characters’
personal feelings in what feels like an intimate tête-à-tête.
This, as with the play as a whole, is bittersweet.
One almost wishes that some of these insights came from Joanna herself,
to hear what she thinks of the people around her and their treatment of
her. However, this lack of interaction is weighty and significant in itself
- the realism amidst the farce. Indeed, Jessica Bastick-Vines as Joanna,
or “Joe Egg” as she is referred to by her parents, is so convincing
in her role that one is jolted by her normality in her mother’s
day-dream scenes.
All of the characters are emotionally engaging and refreshingly lacking
in political correctness which relaxes attitudes and makes you able to
laugh-out-loud in this often black comedy. Ralf Little and Rebecca Johnson
as Bri and Sheila have a good chemistry and bounce off one another; and
the supporting cast of the family friends Freddie and Pamela (Owen Oakeshott
& Sally Tatum), and Bri’s mum Grace (Majorie Yates) are very
funny and have real flair. If you come to A Day In the Death of Joe Egg
looking for answers you won’t find any; but you will find a refreshing
look at life with a disabled child, and plenty of laughs.
A Day in the Death of Joe Egg is showing at the until the 27th of April.
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