The
Place Beyond The Pines (18)
Directed by Derek Cianfrance
Starring Ryan Gosling, Eva Mendes
Showing at 19th
April 2013
Reviewed by
Do The Right Thing
Luke Clanton (Gosling) explodes into action amidst a raucous cachophony
of sound and miasmal visuals to front a fairground motorcycle stunt riding
team. It is not just his bike that is a mean, lean machine - Luke is as
tactile as barbed-wire and has emotions to match.
Due to leave with the travelling show he bumps into Romin (Mendes) with
whom he had a fling last time in town, the outcome of which was a baby
boy, Jason. Luke wants to look after him but she has a new partner and
his interference is a bugbear too far. He hangs out with mechanic Robin
(Mendelsohn) after they meet speeding through the undergrowth of the title.
Business is not good and the pair resort to pulling off daring bank raids.
Rookie Shenectady cop Avery Cross (Cooper) gets the call after Luke goes
it alone and botches a heist. A frenetic chase ends with the crux of the
film being played out between the two. The victor suffers physically and
mentally, impacting on his relationship with his own one-year-old son.
He also disowns his corrupt colleagues (after an intriguing 'who shot
first' investigation exhonorates him), in part after an unlawful raid
on Romina's place to recover the loot that Luke has forced on her. Amory
changes tack to become an Assistant Attorney to escape his malevolent
boss (Liotta), after the pines have again had a place in the action.
Fast forward 15 years and the two alienated boys, Jason (DeHaan) and
AJ (Cohen) are thrown together at college in New York. Both are wary of
friendship but chance popping pills until caught red handed. Facing 5
- 15 years, Avery now in the running for Attorney General, gets them off
with a slapped wrist.
After piecing together the critical moments connecting their fathers,
things are brought to a head at a party were they fall out. Jason provokes
AJ and is beaten up for his trouble; how to effect revenge? The darkened
pines will again feature in the finale as will a photograph that has repeatedly
kept Luke centre stage.
At 141 minutes Cianfrance's film skillfully holds the attention, helped
by fine acting and a reverberating sound track, frenetic or ethereal,
mirroring the screenplay. The haunting 'Fratres' by Arvo Part catches
the mood when the real issues are addressed. Ben Iver's 'The Wolves' went
up with the credits - but whose if anyone's door will they turn up on?
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