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Robert Heinecken: Lessons in Posing Subjects
, Liverpool
Till 11th January 2015
Reviewed by
Have you been out in Liverpool recently? Dreadful, isn't it? Now, I realise
this is how every old man begins, railing at youth and hoping that sufficient
vitriol directed at the young will somehow shore up his infirmity or resurrect
the past, but it’s entirely true. At some point in the past few
years we've begun to embrace the repackaging of shite as gold. We cram
hot dogs and triple cheeseburgers into our gaping maws and somehow forget
to choke on either the price or the concept. We order ten pound cocktails
and piss them out in identikit graffitied toilets, blue lights hiding
our shame, while we wonder if this would ever really be authentic anywhere.
Appropriate, then, that Open Eye Gallery have brought the work of Robert
Heinecken to the city. Heinecken takes the vacuity of catalogue models,
fashion magazines and pornography and turns it in to something altogether
more edifying, more nourishing. In Hustler Blind
Beaver Hunt he prints caustic messages beneath polaroids of half-naked
models, some hilarious, some hilariously disturbing. Although he has drawn
criticism from certain quarters for his apparent misogyny it seems clear
that this is no celebration of Flynt’s empire, the captions too
caustic to be anything but damning. Similarly the treatment of male/ female
relationships in He/She drips in sarcasm and
Heinecken never allows us to forget that he is both dealing in and subverting
objectification.
In a videoed 45 minute lecture also shown in the exhibition Heinecken
describes himself as a paraphotographer; like a paramedic who “keeps
people out of trouble until the real guys show up”. As it turns
out, he’s needlessly self-effacing. In fact, it seems he’s
exactly what Liverpool needs- someone to take our trash and turn it in
to something worthwhile. Until then, there's nothing here but pulled pork
and death.
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