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Six
Rooms Gallery
, Argyle Street, Birkenhead
Until 27th November 2010
Reviewed by
The third and - sadly - final part of the Hamilton Square-based Six Rooms
Gallery collection of work from (mostly) Wirral artists began on an ominously
wet and gloomy Thursday evening. Met by a distinctly unfrozen reception
in comparison with the frosty weather outside, of artists, art lovers
and the odd art critic (guess who!), the people kept pouring in as the
show got busier. The familiar setting-up period had just finished, opening
night wine was ready to flow and at around six thirty pm. John Gorman
opened the show proper with a (to this reviewer) somewhat overwritten
speech that lavished praise onto the fine work that put the whole show
together, although it does deserve a generous mention!
Following the speech, the assembled crowd went into the courtyard to
light some sparklers in honour of the opening. Being slightly wary of
so many fireworks in such close proximity, this reviewer decided to head
to the top of the gallery and see what there was to see. And - as with
the previous two groups - there was a lot to take in by the visitor. Also,
there was an obviously more organic - for lack of a better word - feeling
to this show. Its newness, in both set-up and unfamiliarity, had me at
a loss for words at first, but after some "hand crafted crisps -
they're art too!" I was back to my usual self and moving my eyes
faster than my pen could ever keep up with.
Although I began at the top, I shall start from the courtyard, where
Angie McCormick's eye-catching installation first greeted me during the
aforementioned recreation of its wave formation with sparklers. It is
an effective piece in the darkness of the night, with a steam machine
placed near it that really should have been turned on for that extra impressiveness.
The attained creative freedom that Angie mentions in the description of
her work is more than evident in this piece! Next piece to catch my eye
was the very top room’s pieces by amongst others Marie Louise Williams
amongst others, whose installation Breathing was an earthy freeform construction
of copper wiring and ribbons with words related to breathing written on
them. At first, the piece seems too vague to consider, but subsequent
visits have given it a more familiar appreciation factor.
's (painting
above) room is in itself a miniature gallery of works, and there are many
pieces worth a look here, mostly with a spiritual and/or biblical theme
that befits the artistic style evidenced throughout. Bright, almost organic
colours sit within customized frames and tell a story in images. Pieces
such as False Prophet, Fish For Supper and the others are well worth a
look. Elsewhere, Barbara Harrison's My Own Private Siberia is a triple
blast of acrylic shades of white, grey and black mixed together to make
an expressive yet subtly active set . Looking at the pieces invoked a
sense of freezing over in a subconscious way, which may indeed have been
the message intended!
I could go, on but I really want you to get yo' art loving self down
to Six Rooms Gallery to see the work! You know you have to, so let's not
delay!
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