Colin Serjent reviews the Paraguayan drama film, The Heiresses, showing at Picturehouse till 16th August.

Colin Serjent reviews the documentary film Arcadia, directed by Paul Wright and crafted from over 100 years of archive footage with a soundtrack by Adrian Utley from Portishead and Will Gregory from Goldfrapp.

Colin Serjent reviews the Argentine period drama film directed by Lucrecia Martel, Zama, which screened at Picturehouse.

Colin Serjent reviews the debut feature by Xavier Legrand, Custody, screening at Picturehouse from 13th April.

Colin Serjent reviews the new film directed by Todd Haynes, Wonderstruck, showing at Picturehouse.

Colin Serjent reviews the film Ghost Stories, directed and co-written by Andy Nyman and Jeremy Dyson and showing at Picturehouse from 6th April.

Colin Serjent reviews Isle Of Dogs, the new stop-motion animation directed by Wes Anderson and on general release from 30th March.

Colin Serjent reviews the film Dark River, starring Ruth Wilson who returns to the family farm in the Yorkshire Dales.

Colin Serjent reviews the French film I Got Life! about a woman who refuses to wallow in self pity after a series of setbacks.

Colin Serjent reviews the film The Square, directed by Ruben Ostlund and screening at Picturehouse, from 16th March.

Colin Serjent reviews the thriller set in Cairo, The Nile Hilton Incident, showing at Picturehouse till 15th March.

Colin Serjent reviews the film Journey’s End, set during four days in the British trenches in France in the First World War, showing at Picturehouse till 8th February.

Colin Serjent reviews The Post, directed by Steven Spielberg and on general release from 19th January 2018.

Colin Serjent reviews the film Three Billboards Outside Ebbing, Missouri, showing at Picturehouse from 12th January.

Colin Serjent reviews the film Rey about a French lawyer who declared himself King of Mapuche in Chile in the 1860s.

Colin Serjent reviews the documentary film about refugees, Human Flow, directed by Ai Wei Wei.

Colin Serjent reviews the crime thriller film The Snowman, directed by Tomas Alfredson and starring Michael Fassbender.

Colin Serjent reviews Blade Runner 2049, directed by Denis Villeneuve and on general release from 5th October.

Colin Serjent reviews the documentary Tawai: A Voice From The Forest, directed by and featuring the explorer Bruce Parry who reunites with the Penan people in the Borneo rainforest.

Colin Serjent reviews the film Mimosas, set amid the towering Atlas Mountains in Morocco. this was shown at Picturehouse as part of the Discover Tuesday series.

Colin Serjent reviews the film Hotel Salvation, the debut feature by 26-year-old Shubhashish Bhutiani, showing at Picturehouse till 6th September.

Colin Serjent reviews the film Detroit, directed by Kathryn Bigelow and based on the Algiers Motel incident during the 1967 Detroit riot.

Colin Serjent reviews the film Metamorphoses, directed by Christophe Honore and shown at Picturehouse as part of the Discover Tuesday series.

Colin Serjent reviews the film The Ghoul, showing at Picturehouse till 24th August.

Colin Serjent reviews the film Land Of Mine, an historical drama war film directed by Martin Zandvliet about German POWs forced to dig up land mines.

Colin Serjent reviews City Of Ghosts, the documentary film about the on-line reporting collective Raqqa is Being Slaughtered Silently.

Colin Serjent reviews David Lynch: The Art Life, the documentary about the radical film director which screened at Picturehouse.

Colin Serjent reviews the documentary film about Julian Assange, Risk, showing at Picturehouse till 13th July.

Colin Serjent reviews the Russian film, The Student, which screened at Picturehouse as part of Discover Tuesday.

Colin Serjent reviews the film directed by Edgar Wright, Baby Driver, screening at Picturehouse from 30th June.

Colin Serjent reviews the film Stockholm, My Love, directed by Mark Cousins and showing at Picturehouse till 25th June.

Colin Serjent reviews the Greek film Suntan, which was shown at Picturehouse.

Colin Serjent reviews the film based on the graphic novel by Daniel Clowes, Wilson, showing at Picturehouse from 12th June.

Colin Serjent reviews the film adaptation of the Daphne du Maurier novel, My Cousin Rachel, showing at Picturehouse from 9th June.

Colin Serjent reviews the Japanese film directed by Hirokazu Koreeda After The Storm, which screened at Picturehouse.

Colin Serjent reviews the film The Other Side Of Hope, showing at Picturehouse from 26th May.

Colin Serjent reviews the Japanese film Harmonium, which was shown at Picturehouse.

Colin Serjent reviews the film I Am Not Madame Bovary, screening at Picturehouse till 1st June.

Colin Serjent reviews the film Frantz, screening at Liverpool Picturehouse till 25th May.

Colin Serjent reviews the Romanian film Graduation, shown at Picturehouse.

Colin Serjent reviews the film The Levelling about a Somerset farm after the devastating floods that struck in 2014, showing at Picturehouse.

Colin Serjent reviews Those Who Jump, the documentary film about migrants trying to get from Morocco into the Spanish enclave of Melilla.

Colin Serjent reviews the film Clash about the uprisings in Egypt, showing at Picturehouse till 3rd May.

Colin Serjent reviews the film Their Finest, screening at Picturehouse from 21st April.

Colin Serjent reviews the film The Handmaiden, directed by Park Chan-Wook and screening at Picturehouse from 14th April.

Colin Serjent reviews the documentary film I Am Not Your Negro, based on James Baldwin’s unfinished manuscript, Remember This House and screening at Picturehouse from 14th April.

Colin Serjent reviews the film The Olive Tree, showing at Picturehouse from 11th April.

Colin Serjent reviews the film Neruda, about Nobel Prize-winning Chilean poet Pablo Neruda, screening at Picturehouse till 13th April.

Colin Serjent reviews the film Homo Sapiens, part of the Discover Tuesday film strand at Picturehouse.

Colin Serjent reviews the Brazilian film Aquarius, showing at Picturehouse from 24th March.

Colin Serjent reviews the Iranian film The Salesman, showing at the Picturehouse from 24th March.