Courtney Marie Andrews
Rob Harrison reviews the gig by Courtney Marie Andrews, the singer-songwriter from Arizona, on tour at the Liverpool Arts Club.
Rob Harrison reviews the gig by Courtney Marie Andrews, the singer-songwriter from Arizona, on tour at the Liverpool Arts Club.
Rob Harrison reviews Tontine, the new album by Spear of Destiny, released on Kirk Brandon’s own Eastersnow Recording Company label.
Rob Harrison reviews the gig by Ducking Punches, supported by Hello Mabel and Don Blake at Maguire’s Pizza bar.
Joe Coventry reviews the production of Mozart’s Italian opera, Cosi fan Tutte, presented by Flat Pack Music at the Casa Theatre.
Rob Harrison reviews the concert by New York band Sunflower Bean at the Invisible Wind Factory..
Joe Coventry reviews the concert by Tom Paxton and The Don Juans at the Capstone Theatre.
Joe Coventry reviews the concert by Calli Hughes doing the songs of Leonard Cohen and Bob Dylan at the Capstone Theatre.
Joe Coventry reviews The Necks, Centrifuge and Shatner’s Bassoon at the Interactions Festival at the Capstone Theatre.
Joe Coventry reviews The Outsider – News From Nowhere, the new album by Liverpool composer and multi-instrumentalist Neil Campbell.
Rob Harrison reviews Twentytwo in Blue, the new album by New York band Sunflower Bean, out on March 23rd.
Rob Harrison reviews the concert by East London five-piece folk band Stick In The Wheel at the Liverpool Philharmonic Music Room.
Rob Harrison reviews the concert by alternative country Americana duo The Handsome Family at Liverpool Leaf Cafe.
Joe Coventry reviews the Liverpool International Jazz Festival 2018 which included James Taylor, Aron Ghosh, Jason Robello, and Soft Machine.
Natalie Romero reviews ‘Calexico’, the new single by Rum Club bringing a political edge to the unique Liverpool band.
Rob Harrison reviews the Refugee and asylum seekers benefit night presented by Migrant Artists Mutual Aid at the Atrium Cafe.
The Screaming Target rounds up the record releases for the last two months. It’s a good crop you lucky people!
Rob Harrison reviews the concert by David Bowie’s piano player Mike Garson, playing the entire Aladdin Sane album at the 02 Academy.
Rob Harrison reviews the concert by The Moulettes at the Liverpool Philharmonic Music Rooms.
Joe Coventry reviews the concert by Peggy Seeger and her son Calum on the First Time Ever Tour at the Philharmonic Music Room.
Joe Coventry reviews the musical fundraising evening for St Bride’s Church featuring Emma Dears and Roy Weissensteiner.
Joe Coventry reviews the special Remembrance concert performed by the Pixels Ensemble at the Hope University Campus on 13th November.
Darren Guy and Bobbi review the production of Oliver! performed by Birkenhead Operatic Society Trust at the Royal Court Theatre.
The screaming target returns to review the good the bad and the plain sticky.
The screaming target returns to review the good the bad and the plain sticky.
Rob Harrison reviews the compilation record of acts on the Modern Sky Label, The Future Influences The Present Just As Much As The Past.
Review and photographs by Colin Serjent of Africa Oyé Festival 2017 which had it’s 25th anniversary in Sefton Park over the weekend of 17th & 18th June.
Rob Harrison reviews the gig by the Thurston Moore Group and Mugstar at St George’s Hall, part of the ‘Tonight At Noon’ programme which celebrates 50 years since the publication of The Mersey Sound.
Rob Harrison reviews Ultimate Bowie, featuring Ed Blaney as David Bowie, at the Epstein Theatre on 20th May.
John Owen reviews Pierre Henry’s The Liverpool Mass, presented by the Bluecoat at the Liverpool Metropolitan Cathedral.
Tom Calderbank reviews the new CD Estuary, based on the poetry of Seán Street with musical settings by Neil Campbell and featuring vocalist Perri Alleyne-Hughes.
Rob Harrison reviews Mirrors, the new album by Cattle And Cane.
Rob Harrison reviews the gig by Holy Holy at the Philharmonic Hall, performing The Rise And Fall Of Ziggy Stardust And The Spiders From Mars in its entirety.
Joe Coventry reviews the English soprano singer Lesley Garrett at St Georges Hall, where she talked about her life and career and sang some of the songs that have made her a household name.
Rob Harrison reviews the launch of Elfin Bow’s debut album at the Epstein Theatre.
Kevin Lea reviews the concert by Julian H Cope at the Arts Club in support of his Drunken Songs CD.
Joe Coventry reviews the 5th Liverpool International Jazz Festival, held at the Capstone Theatre from 23rd – 26th February.
Rob Harrison reviews Naked Minds, the album by Latestbanda, a new musical project based in Liverpool featuring musicians from across the world.
Rob Harrison reviews Another River, the new album by The Alpines.
Rob Harrison reviews the concert by Scottish singer-songwriter James Yorkston, who played at The Magnet.
Rob Harrison does a roundup of the tunes that are buzzing round the Nerve office at the moment.
Pete O’Neill reviews Spanner in the Works, the eighth studio album by Beans on Toast, released on Xtra Mile Recordings.
Rob Harrison reviews the gig by the Steve Harley Acoustic Trio, supported by The Mona Lisa Twins, at St. Georges Hall.
Rob Harrison reviews the gig by folk group Applewood Road at Liverpool Academy.
Joe Coventry reviews the concert by the Jeff Williams Quartet at the Capstone Theatre.
Rob Harrison reviews the gigs by Warpaint, John Carpenter, and She Drew The Gun who all played at Liverpool Music Week 2016.
Rob Harrison reviews the gig by The Travelling Band at the Magnet.
Rob Harrison reviews the concert by Heaven 17 and BEF (British Electric Foundation) at the 02 Academy.
Joe Coventry reviews the singer Tina May and pianist Enrico Pieranunzi, who performed at the Capstone Theatre.
Rob Harrison reviews Different Trains, the concert by Steve Reich and the London Contemporary Orchestra which took place at METAL in Edge Hill Station.
Rob Harrison reviews the gig by Natalie McCool at The Buyers Club.
Rob Harrison reviews the debut album by Norwegian duo Apothek.
Rob Harrison reviews The Great Unknown, the new album by Natalie McCool on release in September 2016.
Sarah Smith reviews The Fusion Festival, held at Otterspool Promenade and featuring names such as Olly Murs, Busted and The Vamps.
Pete O’Neill reviews Matt Ford’s album, By The Deathbed, released on August 19th on the Crisis Ridden Label.
Lynda-Louise Tomlinson reviews 7, the new EP by Liverpool based urban indie band Futurejack.